Impressions of Ambassador Bill White’s Presentation of “Melania”

I arrived at the exclusive Belgian screening of Melania in Antwerp without preparation and, more importantly, without prejudice. What followed was an evening that transcended the boundaries of documentary film and entered the realm of cultural and political spectacle.

Ambassador Bill White managed to assemble what can only be described as the finest that Flanders has to offer. The Kinepolis theatre in Antwerp hosted approximately 500 guests—diplomats, captains of industry, policymakers, and opinion leaders. The atmosphere was charged, not merely with curiosity, but with anticipation. This was not a routine embassy event; it was a moment carefully curated at the intersection of diplomacy, culture, and power.

As the documentary opened with sweeping shots of Mar-a-Lago—the rhythmic footsteps of the First Lady, the perfectly choreographed column of security vehicles departing in almost cinematic symmetry—I had the distinct impression that a new season of Billions had begun. I have long admired the series and still hope that one day its rumored spin-off, Trillions, will be realized. If that decision is ever taken, the producers would be well advised to draw inspiration from Melania.

What is more fascinating than the lives of the rich and famous? Only one thing: when the rich and famous enter the White House. Wealth is compelling; power is transformative. The documentary subtly demonstrates that power is the next level of wealth, and there is no office more powerful than the Presidency of the United States. In this context, the preparation for the inauguration of the 47th President becomes more than a ceremonial transition—it becomes the staging of a new epoch.

One cannot help but think that David Ellison—owner of Paramount, which acquired Showtime, the producer of Billions—might find in Melania the narrative architecture for a series tentatively titled A Trillion Powerhouse. The behind-the-scenes orchestration of the inauguration provides all the elements: discipline, hierarchy, aesthetics, influence, and the silent choreography of decision-making at the highest level.

Yet the documentary is not merely about institutional power. It is also about personal transformation. A Slovenian model who marries a billionaire and becomes First Lady embodies the American Dream in its most amplified form. Whatever critics of the White House may argue, the film portrays a woman whose elegance was not accidental but meticulously professionalized into a framework that sets a benchmark difficult to surpass.

The closest historical comparison may be Jacqueline Kennedy. Kennedy was undeniably a style icon, a symbol of refinement and cultural diplomacy. Melania, however, adds a modern silhouette—architectural, disciplined, almost sculptural—that is uniquely her own. The documentary makes clear that this is not accidental glamour; it is strategy wrapped in grace.

The film goes beyond the aura surrounding the Trump family. It presents a universe that appears, at first glance, beyond reach. The 47th Presidential family—perhaps even more than during the 45th presidency—operates in a sphere where wealth creation and political authority converge. And yet, the accent of the First Lady provides that subtle touch of accessibility: a reminder that one need not be born into power to ascend to its summit.

For political observers, the documentary offers additional layers. The personalities captured in fleeting frames during the swearing-in ceremony hint at the dynamics that will shape the second presidency. Elon Musk appears at the inaugural dinner with a relaxed demeanor rarely witnessed at European state events. Steven Witkoff features prominently in the front rows. Tim Cook’s expression—difficult to decode—suggests the quiet tension that often accompanies moments when technology, capital, and governance align on the same stage.

Melania is, without doubt, a historic document. It captures a moment in 2025 when wealth and political authority reached a visible crescendo. Whether this confluence will ever be replicated remains uncertain. What is certain, however, is that the documentary provides future generations with a vivid glimpse into a world where glamour, strategy, discipline, and power coexisted at the highest possible level.

Ambassador White’s presentation did more than introduce a film. It framed a narrative about America’s enduring capacity to reinvent itself—through individuals, through institutions, and through the spectacle of democratic transition elevated to cinematic art.

In that sense, the evening in Antwerp was not merely a screening. It was an encounter with the American Dream at its most intensified expression.